Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,   Related Paintings of RAFFAELLO Sanzio :. | The Entombment (detail) st | The virgin mary | Madonna with the Book (Connestabile Madonna) dy | The Vision of Ezekiel | Disputation of the Holy Sacrament |
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Henry Bacon
1839-1922 Henry Bacon Gallery Henry Bacon was born in Watseka, Illinois to father civil engineer Henry Bacon and mother Elizabeth Kelton Bacon, both of Massachusetts. Bacon was largely raised in Wilmington, N.C., where his father settled down and served as a government engineer in charge of the Cape Fear River improvements. At age 15, Henry Bacon was sent north to Boston's Chauncey Hall School. In 1884 he matriculated at the University of Illinois at Urbana-Champaign, but left within a year to launch an architectural career in the office of Chamberlin & Whidden in Boston as a draftsman. Bacon was soon hired into the office of famed McKim, Mead & White in New York City, the best-known American architectural firm of its time. While at McKim, Mead & White (MMW), Bacon won, in 1889, the Rotch Traveling Scholarship for architectural students, which gave him two years of study and travel in Europe, learning and drawing details of Roman and Greek architecture as far afield as Turkey, where he met his future wife, Laura Florence Calvert, daughter of a British Consul. He traveled with another fellowship student, Albert Kahn who would become a leading industrial architect. Returning to the U.S. he spent a few more years with his mentor, McKim, working on projects like the Rhode Island State House in Providence, Rhode Island, and serving as McKim's personal representative in Chicago during the World's Fair in Chicago, where MMW was at work designing certain buildings for the World's Fair. In 1897, Bacon left the office of McKim, Mead & White (MMW) to found, with a younger MMW architect James Brite, a new partnership Brite and Bacon Architects, where Brite was in charge of financial, administrative, and contracting aspects of the partnership, while Henry Bacon was in charge of the architectural design and construction. The partnership immediately won the competition for the Jersey City Public Library, the Hall of History for the American University at Washington, DC, and thereafter built a good number of public buildings and a small number of private residences. The partnership was selected to build two private residences in 1897, the "La Fetra Mansion" in Summit, New Jersey, and a three-story Georgian mansion "Laurel Hill" in Columbia, NC. The "La Fetra Mansion" was completed by the partnership sometime during 1899 to 1900, and published in the September 1901 issue of The Architecture, the pre-eminent architectural professional journal of its time. The LeFetra Mansion fully exhibits Bacon's Greek and Roman architectural predilections, his simple, austere, elegant lines, and his skill in dimensions and proportions that give rise to a feeling of the presence of divine spirituality, peaceful tranquility, and a sense of divine protection. While the La Fetra Mansion in Summit, NJ bears Bacon's signature style, the Georgian Mansion "Laurel Hill" was most probably designed by Brite.
egron lundgren
Egron Sellif Lundgren, född 18 december 1815 i Stockholm, död 16 december 1875 i Stockholm var en svensk konstnär och författare. Hans lite egendomliga förnamn är givet av en omtänksam fader som önskade sin lille nyfödde ett rofyllt liv, eg-ron. Egron Lundgren kan betecknas som den svenska akvarellkonstens fader. Han började först som oljemålare där han utförde genremålningar och historiska framställningar i tidens anda. Under sina många resor till Italien, Spanien och Indien fann han dock sitt rätta uttrycksmedel i akvarellen vars teknik han utvecklade till ett mästerskap. Han bosatte sig i mitten av 1850-talet i London där han hade stora framgångar som porträttmålare. Med London som utgångspunkt företog han sedan ytterligare resor både till Italien och Spanien men även till Egypten och Indien. Hans reportagemålningar från sepoyupproret i Indien anses utgöra en av höjdpunkterna i hans produktion. Hans akvarellteknik utvecklades med åren till en snabb, upplöst teknik i rena, klara färger och lätt penselföring. England med sina dimhöljda öar kom till fullt uttryck i arbetena från hans många resor. Sina sista år tillbringade Egron Lundgren i Stockholm men också därifrån fortsatte han sitt resande. Mest känd för en sentida publik har han blivit genom sina brev och dagboksanteckningar, utgivna under titeln En målares anteckningar 1 - 2 Egron Lundgrens väg i Södra Ängby, Stockholm är uppkallad efter Egron Lundgren.
De Scott Evans
1847-1898 was an American artist who worked in Indiana, Ohio and New York. He was known for portraits, still lifes, landscapes and other genres. Born in Boston, Indiana to David S. and Nancy A. (Davenport) Evans. His father was a physician. Evans changed his signature to D. Scott Evans and later to De Scott Evans. He also signed paintings with the names David Scott, S. S. David, and Stanley S. David. He attended Miami University's preparatory school in the 1860s, studying with professor Adrian Beaugureau at Miami and later in Cincinnati. In 1873, he became head of the art department at Mount Union College and after several terms there, he moved to Cleveland to teach and to paint. From Cleveland, he moved to New York. He died along with 500 other passengers and crew, including his daughters when the French steamer La Bourgogne was rammed by a sailing ship in July 1898. Though he died at sea, there is a marker for him and his daughters in the Oxford Cemetery in Oxford, Ohio.